742
Maison Francis Kurkdjian
A life stripped to three T-shirts. A city that feels alien. A bottle of 724 lifted from its altar at Bloomingdale's like an act of quiet desperation. In "742," Adela Sinclair writes about grief the way grief actually works — sideways, through scent, through the memory of someone's wrists, the softness of their shirts. A perfume as the last thread back to a person.
Three worn T-shirts.
That is all I own these days.
Life has become strange—
the scent of city streets
catching at the throat,
rotting plastic bags split open
under a hidden sun.
Skyscrapers cannot reach
the helicopters in midflight.
No reflections on the windowpanes.
Even sparrows see through them now,
no accidental thumps
from failed visibility.
I fist-pump an escaped polar bear
who understands my thin skin
beneath blanched fur.
I am no longer rooted
in cement.
I try to sing you back to life,
so I spray 724 on my wrists
every day.
I want to know again
the scent of your wrists,
aftershave caught inside your pores,
the Suavitel softness
of your T-shirts.
Who am I
to walk into Bloomingdale’s
on a cool rain-soaked afternoon
and lift the structured bottle of 724
from its illuminated altar?
Iconic thing.
It stares at my lowered pale lids
until I look up timidly
to meet its gaze.
I want you to linger
like a classic perfume
against my exposed skin,
my pulse points,
where even the smallest heat
makes you rise
like steam from a cappuccino.